Here is where Max Carrigan Joe Anderson , a spirited hippie rebel from an upper-middle-class family, reluctantly reports for his physical examination after receiving his draft notice. Because he was told that if he swallowed cotton balls they would show up on an X-ray as spots on his lungs, he quickly ingests one as he enters the building. No sooner has Max arrived than an Uncle Sam recruiting poster stirs to life, and the eagle-eyed glare of the white-haired geezer in his top hat and parade outfit fixes on him. Simultaneously two uniformed soldiers clamp their hands on him from behind and roughly push him into a narrow corridor, lined on both sides with uniformed soldiers standing at ramrod attention, wearing prosthetic makeup that turns their faces into identical wooden masks. With their grim, expressionless features and jutting chins, they suggest a nightmarish corps of slit-eyed fascist troopers gazing ahead with a blank malevolence. As Max moves down the line, their arms robotically reach out and snatch away his shirt and trousers, leaving him in his briefs. Attempting to elude their grasp, he executes a somersault that lands him in a row of nervous fellow recruits, also stripped to their briefs. The half-naked men face a grim herd of soldiers executing a mechanical calisthenicslike war dance that is all right angles, to a grinding metallic soundtrack punctuated with stomping cha-cha-chas. Suddenly the ceiling, a grid of inverted boxes, lowers to the floor, trapping the recruits in rows of identical cubicles, each with a desk, a lamp and an interrogating officer. Lids crash down from above.
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Pamela Anderson teases her famous assets in her sexiest pictures.
The model set pulses racing as she bared her chest for the intimate photoshoot, which saw her recline on a silk sheet in nothing but a pair of see-through gloves. She protected her modesty by placing an arm across her chest and let her hair fall across her face. The mother-of-two, who is a brand ambassador for Coco de Mer, partnered with photographer Rankin and creative agency The Full Service to launch her luxury lingerie collection. Pamela added height to her petite frame with a pair of black stilettos and wore her hair in curls that she left to cascade down her back. Visible beneath the daring garment was a pair of sexy suspenders and a coal-coloured bra, the Playboy cover girl tied her hair up but left strands out to frame her face. The concept of these photographs were to show Pamela taking control of the camera, which she did. In fact, the actress held it to her face as she flaunted her figure in a silk negligee that featured an intricate pattern across her bosom. She let the garment gape open to reveal a glimpse of her underwear and added strappy heels to complete the ensemble. More information here.
The former Baywatch actor says the experience was the craziest she ever had at the Playboy Mansion, The Sun reports. I thought, 'What could be going on up here? I thought, 'This is not a movie. I need to leave.
Michael Joseph Anderson was born into an acting family in London on 30 January After appearing in a few films in he joined Elstree Studios as a production runner, graduating to assistant director by During the war, while serving with the Royal Signals Corps , he met Peter Ustinov , with whom, after assisting him on School for Secrets and Vice Versa , he co-wrote and co-directed Private Angelo The cinematographer was Erwin Hillier , who would go on to make ten films with Anderson before retiring in After joining Associated British Pictures , and making a number of modest films, Anderson emerged from obscurity with the hugely popular The Dam Busters , which he has cited as his favourite amongst his own films. The film's special effects climax gave the first real indication of Anderson 's leanings towards the spectacular, and it was a clear influence on Star Wars US, d.